Blog

The devising process

As a company we decided to create a unique devised piece instead of taking and performing or possibly adapting a ready-made script. The devising process will allow us to create and recreate ideas into something that we do not even know yet. I feel like this is going to be a tough but exciting process as Stage Manager due to its changing nature, I will have to be organised and note down everything that is important even if it is going to change as then we will have a reference in case there was a previous idea which could work but had been lost through the changes. ‘Devised work is a response and a reaction to the playwright – director relations, to text-based theatre, […] and challenges the prevailing ideology of one person’s text under another person’s direction. (Oddey, 1994, 4).

Throughout our process there will not be one set writer, it will be a case of individuals going away and finding material and then as a company we have a say in the ideas that we liked or what we thought could work. It is a case of collaborating ideas and then an individual of the company will go and write a draft script in which will be read through as a company, suitable actors chosen and then edited to performance standard, even then it shall still be changed as staging takes place.

Meet the company!
Meet the company!

The devising process has allowed the company to ‘stretch the limits of established practices’ (Govan, 2007, 3) in the sense that there is no linear narrative. As a company we have been able to fragment several techniques and stories together to create our piece. It has allowed us to play with different styles that normally would not be seen in the same performance ranging from puppetry to music.

Works Cited:
Govan, N., Nicholson H., Normington K. (2007) Making a Performance, Devising Histories and Contemporary Practices, Oxford: Routledge
Oddey, A (1994) Devising Theatre: A Practical and Theoretical Handbook, London: Routledge

“Love is… Lovely, isn’t it?”

Below are the full sound recordings of the interviews I conducted. I asked a few questions about love and relationships. Beneath the sound recordings are some moments I have highlighted, and quotations that stood out to us as material for the piece.

 

 

Interview with a single man in his mid-twenties:

What kind of tough conversations have you had in your relationships?

“Making things official… without officially talking about them…”

 

Any landmark moments?

“…The size of the moment, the grandeur of it is on the situation, or the circumstance of how the two came together.”

 

What do you think of love?

“Love is lovely isn’t it?” “What is the borderline moment between when you really care, and really like someone… When does that become love?”

 

Do you believe in ‘love at first sight’?

“No no no, I know there is no such thing as ‘love at forst sight’, that is lust, that is simply love. It’s there, in the name, ‘sight’. Because when you see someone, it’s there, like boom, “you are fit mate”. Like, then they could open their mouth and it’d be like, the most hideous voice. Yeah, it would be the worst thing in the world.”

 

How long should you know someone before you say ‘I love you’?

“Because when you say ‘I love you’, it suddenly means something. I can only compare it to… when people throw around the term ‘best friend’… As soon as you put the label of ‘bets friend’ on someone, that suddenly makes them the one, they’re accountable and that is scary because you depend on someone, much like… well, it’s scary cos they could let you down… I think that’s why saying ‘I love you’ would be terrifying, because as soon as you’ve said it, you can’t take that back, and because… because it’s a display of emotion, and how you feel summed up in like three little words… You wanna run away from it, like if you don’t say it, you don’t put it on someone, they can’t let you down, and then like, its easier to accept someone’s faults when you haven’t put that on someone, put them in that position, on that pedestal. You know, “you’re the one I love, don’t fuck it up!” and “you’re my best friend, don’t fuck it up!” Same thing, isn’t it.”

 

Do you have any ground rules in your relationships?

“Just… be honest.”

 

Interview with a young couple:

What kind of tough conversations have you had in your relationships?

Girlfriend: I actually can’t remember any tough conversations.

Boyfriend: It’s probably like… what shall we have for dinner innit?

Girlfriend: Ha, yeah… ‘We should probably keep this secret for a bit because we’re flat mates.’ Oh and he asked me if Jennifer Anniston could go on his [bucket] list.

 

Any landmark moments?

Me: So you’re first anniversary, was that really special?

 

Silence… Laughter.

 

Me: It’s a voice recording, shaking you’re head isn’t useful!

Girlfriend: Well I think the first time he said ‘I love you’ was nice.

 

What do you think of love?

Boyfriend: It’s just, alright, innit.

Girlfriend: I’d say it was more than alright! I think he’s being a bit, harsh on Love there. I mean, I’d say it’s pretty sweet… pretty sweet… (Laughter).

 

How long should you wait before you say ‘I love you’?

Girlfriend: If you feel like you do, then why not just say it?

Boyfriend: I said it first… I’m a good boy.

Girlfriend: And it was really nice, cos it was really… of the cuff.

Gestes de la Romance…

Because everything is more romantic in French.

 

Romantic gestures. Big, small, surprising, embarrassing, adorable or sexy – these gestures of love keep our relationships alive. They feed, what is often called, ‘the spark’.

Ask anyone about this subject and you usually hear: “no… we’re/he’s/she’s just not that romantic really!” Of course, we could all be overlooking the tiniest of details in our relationships: That morning cup of tea, picking you up when it’s raining. And why are we oblivious to these charming acts of love? Because films, books and television seem to shroud our honest lives with some grand idea that the only way you can keep a relationship going is to hijack a hot air balloon and whisk them off to Barbados, where you’re greeted by Sonny Rollins, who plays a saxophone solo as you have a walk along the beach… or something similar. I suppose we should not be totally cynical about it though, these films are not reality by any means, but I think it keeps the hopeless romantic topped up in all of us. For example, the brilliant scene in ’10 Things I Hate About You’, where Patrick sings to Kat on the school field:

In light of this, my quest was to find real stories that are near enough film worthy. The criteria included: gestures of love, romantic surprises, or getting together against the odds. These are some of the true stories that came through…

“My Nan moved from Italy when she was about 24, with 20 other Italian girls. They worked in a factory or something and lodged with English families. She lived with my Grandad’s family (he was away in the army at the time) and another Italian friend. The Italian friend didn’t get on with the family and eventually she left wanting my Nan to go with her but she didn’t. My Grandad’s mum threw a birthday party for my Nan, and that night my Grandad came home. He asked her out on a date, they fell in love! When their children were about 18 months/2 years old my Nan went to Italy for 3 months to see family. My Grandad had to stay and work but missed them so went out on Christmas day without them knowing and suprised my Nan.”

“My friend Amy’s boyfriend Craig turned up on her doorstep, having spent £70 on a taxi to get to her house, with a new dress and a table for dinner booked (think he definitely got head that night).”

“My Grandma and Grandad got together because my grandma was a librarian at the library by Grandad studied at. They talked regularly, and eventually he asked her if she wanted to go out. She politely declined, but he tried again. After several attempts he waited for her after work one day with a bunch of flowers and after that she agreed and they went on a date!”

“My mum was Sikh and therefore was expected to have an arranged marriage. She got a job and started working in the summer holidays. My dad was a security guard who worked close by (he is English), my mum thought he was nice but had never looked at boys in that way before. My dad kept asking for a date, however she explained that she wasn’t allowed to date. My dad was persistent and in the end they had a secret meeting, my mum’s dad dropped her at work but she got on a train to London and made sure she was back on time for work finishing. My mum and dad only ever had one date and one kiss and on that basis my mum changed everything she had known, they started planning on how and when to escape together. My mum packed a bag and left a note to say she was leaving. Her family found out where she was and after a tough two weeks she felt too guilty and agreed to stay with a family’s friend. It was then she realised it was my dad she wanted to be with, but the only way she could be sure was to leave him to find that out. They arranged to move up North and stay with my dad’s uncle. They came up here with a carrier bag of clothes and made their life together. My mum tried to win her family’s love back, it took around 7 or 8 years but eventually it happened. 25 years on they are still together happily married with two children.”

In terms of performance we were inspired by these beautiful and bold stories. However, these are exceptional cases that really are film worthy. But they are few and far between. It inspired us to really consider the small everyday gestures versus the grand. The cups of tea versus the public singing. Therefore, we are starting to think about how to embed the little details into one or more of the scenes, most likely in some of the more serious aspects to the piece. As a sort of experiment we are also planning a grand romantic gesture. It is in the pipeline and will remain a surprise until the night (and will be largely improvised on my part)! This contrast will hopefully highlight the realities of our relationships and how we crave the grand romantic gesture and are possibly neglectful of the little details. But as I said, this is an experiment!

 

 

 

 

Hope Cove and the big “I do!”

As part of our devising process, each member of the company is researching into different milestones in a relationship which may be used in the performance. For the structure of the piece, we have discussed using a timeline of some sort that plots the generic events that occur in an average relationship (first kisses, meeting parents etc). These events will then be explored individually through a mixture of real accounts from the public, our own experiences and the heightened portrayals that popular films/songs/TV use. I am delving into the muddy waters of marriage; a foreign territory for me which means relying on my own experience is not an option.

In films and TV, marriage and weddings are often overly romanticised or unrealistically dramatic. What springs to mind instantly is the classic soap opera nearly-wedding where just before the couple say ‘I do’, something terrible happens that disrupts the ceremony. This more unrealistic view of engagement could be something we explore, however I have already started talking to real couples  who will be getting married later this year. Their responses give an honest but heart-warming account of what this life event is like. From the interviews, I have picked out a few points of interest that could be used in the performance. The proposal is something that I think we can definitely play with and using details of real proposals we could create a very uplifting (but genuine and not sugar coated!) scene. Below is a picture of the location of one proposal that was revealed in an interview which we may explore in rehearsals:

the location of one interviewees proposal
the location of one interviewees proposal

First dance songs could be a useful and interesting way to connect our use of live music to this section. That would also create a potential opportunity to have a more physical scene, as currently we have a lot of static, text based moments. It would also be interesting to link some of the stories that we find together. Here is a short list of possible songs that we could use for this section:

  • ‘Don’t Marry Her’- Deep South
  • ‘Love and Marriage’- Frank Sinatra
  • ‘Marry You’- Bruno Mars
  • ‘Going to the chapel of love’- Dixie Cups
  • ‘Paradise By The Dashboard Light’- Meatloaf

Landmarks that make up your timeline… Sexy sex sex.

In rehearsals and discussions, we have been exploring different landmarks in a relationship. As a group we decided it would be easier to allocate each other a factor of a relationship and work on them individually. I decided I wanted to research “Sex” exploring awkward sexual encounters with a person, and alternatively sex with somebody that you love. While researching I came across an inner monologue of a Man’s thoughts during sex. The monologue sparked lots of different ideas in the rehearsal and there was lots of useful stuff in it. We decided at first that I am going to rewrite the monologue twice. One of them will consist of a man’s thoughts when having sex with someone they love and the other when the sex is awkward and new.

Here is a paragraph of the monologue I found to give you an idea.

“Sex. Sex. Sex. I am thinking about sex. Now I’m thinking about thinking about having sex. What is wrong with our brains that we can’t just enjoy things? We have to analyse them? Have we been doing this position to long? If I switch now, is she going to think that I wasn’t enjoying that last position? Because I really was. It’s sex- unless my penis is being bent in half, I am enjoying all of this”.

 

Awkward-Planking-Sex

(What Culture, 2013)

I also researched typical music to make love to, the music that I found was extremely cliché and most of the songs are what you would expect to hear in a sex scene in a film. The most famous ones were “sexual healing” and “let’s get it on” which are the songs that will be playing throughout the scene.

 

The lonely island- “I just had sex”           Paolo Nutini- “Candy”

Marvin Gaye- “Lets get it on”                       Jeremih- “Birthday sex”

R Kelly- “Bump and grind”                           James Morrison- “You give me something”

Barry white- “I’m gonna love you”            Marvin Gaye- “Sexual healing”

While researching I also looked at different movie clips, as most films portray sex as something that is romantic and just works when really this is not the case at all. It’s interesting that a lot of the films that portrayed these scenes were the older classics. The example I have shown here is a perfect example of what I’m sure most girls envisioned there first times to be! Newer films such as bridesmaid portray the awkwardness and sometimes how it really is funny and just doesn’t work!

Films

An example of an awkward film clip…

http://www.youtube.com/watch?v=44zNphZdnXc

(You tube, 2011)

 

An example of a love scene…

(You tube, 2009)

As the scene progressed we decided that we wanted the girls inner monologue as well as the boys, it made more sense to have both sides of the thought process during sex. Instead of interviewing I wrote two different monologues and we pieced these together to create the scene the writing style is very ‘real’ and doesn’t portray the things people necessarily think is going through somebodies head when having sex, because it isn’t all “I love him” and “this is perfect”. It’s lots of different emotions. Men and women are paranoid, they don’t know if what they are doing is working or what the other person thinks of what they look like naked.

 

Works Cited

Philips, H (2013) 10 Most Awkward Sitcom Sex. [online] London:Whatculture. Available from http://whatculture.com/tv/10-most-awkward-sitcom-sex-scenes.php/5 [Accessed 26 June 2011

Wheatley, C 2011, ‘One Day’, Sight & Sound, 21, 9, pp. 70-71, International Bibliography of Theatre & Dance with Full Text, EBSCOhost, viewed 28 May 2014.

Megan (2009) Ghost Unchained Melody [Online Video] Available from: http://www.youtube.com/watch?v=CXfxUVjHFl0 [Accessed 6 July 2014].

videovipere (2011) Bridesmaids sex scene [Online Video] Available from: http://www.youtube.com/watch?v=44zNphZdnXc [Acessed 6 July 2014].